Historical SourcePublic DomainStep Figures Available
Ve Recueil de Dances de Bal pour l'année 1707, recueillies et mises au jour par M. Feuillet, Maître et Compositeur de Danse (Pecour and/or Feuillet / Feuillet, Paris 1706)
Publisher: Raoul-Auger Feuillet (1660?-1710), 'Maître et Compositeur de Danse' per the title page, recueillies et mises au jour (gathered and brought to light) — composers of the volume's individual dances NOT separately attested on the title page (per shared Pecour/Feuillet compositional convention, the dances are attributed jointly to Pecour and/or Feuillet pending direct engraving review). Paris 1706 — chez l'Auteur, rue de Bussy, Faubourg Saint Germain, à la Cour Impériale, avec privilege du Roy. BNF Gallica scan. Fifth volume of the Pecour/Feuillet Petits Recueils Annuels, and the FIRST in the sequence whose title-page attribution credits Feuillet alone as 'recueillies et mises au jour' without naming Pecour as composer — the shift may reflect (a) Pecour authoring some of the volume's contents alongside Feuillet's own additions, or (b) Feuillet beginning to collect dances from multiple composers including but not limited to Pecour. Per the volume's own internal Catalogue (the same comprehensive Petits Recueils Annuels catalogue first surfaced in LOC-1705-PECOUR-RECUEIL), the named contents are: La Bacchante, La Matelotte, et le Menuet à quatre. The Avertissement also promises supplementary Contredanses publications ('Si avec ce Recueil il y arrive quelques nouvelles Contredanses, on les joindra au petit Recueil annuel') — the supplementary Contredanses publication (file 1706-Feuillet-Recueil-Contre_(BNF).txt, NOT imported in this pass) is the source of the next pass's Contredanses Françoises / Anglaises canonicals. Fully notated in Feuillet notation at the source (step detail not transcribed).Year: 1706Family: feuillet-recueilCatalog: local
Dance manual/reference by Raoul-Auger Feuillet (1660?-1710), 'Maître et Compositeur de Danse' per the title page, recueillies et mises au jour (gathered and brought to light) — composers of the volume's individual dances NOT separately attested on the title page (per shared Pecour/Feuillet compositional convention, the dances are attributed jointly to Pecour and/or Feuillet pending direct engraving review). Paris 1706 — chez l'Auteur, rue de Bussy, Faubourg Saint Germain, à la Cour Impériale, avec privilege du Roy. BNF Gallica scan. Fifth volume of the Pecour/Feuillet Petits Recueils Annuels, and the FIRST in the sequence whose title-page attribution credits Feuillet alone as 'recueillies et mises au jour' without naming Pecour as composer — the shift may reflect (a) Pecour authoring some of the volume's contents alongside Feuillet's own additions, or (b) Feuillet beginning to collect dances from multiple composers including but not limited to Pecour. Per the volume's own internal Catalogue (the same comprehensive Petits Recueils Annuels catalogue first surfaced in LOC-1705-PECOUR-RECUEIL), the named contents are: La Bacchante, La Matelotte, et le Menuet à quatre. The Avertissement also promises supplementary Contredanses publications ('Si avec ce Recueil il y arrive quelques nouvelles Contredanses, on les joindra au petit Recueil annuel') — the supplementary Contredanses publication (file 1706-Feuillet-Recueil-Contre_(BNF).txt, NOT imported in this pass) is the source of the next pass's Contredanses Françoises / Anglaises canonicals. Fully notated in Feuillet notation at the source (step detail not transcribed). (1706). Step-by-step detail available. Imported from local collection.