I.H.P. Maître de Danse, Oder Tantz-Meister (I.H.P. / Glückstadt-Leipzig: Gotthilff Lehmann / Schwendimann 1707, 2nd ed. with Errata)

Dance manual/reference by Gotthilff Lehmann / Schwendimann (Glückstadt-Leipzig). I.H.P. (unidentified German dance master, initials only; author withheld full name per the 1705 DKB Dedication preface — 'I. H. P.') / printed by Johann Friederich Schwendimann, Königlicher Privilegierter Buchdrucker, at Glückstadt and Leipzig, published by Gotthilff Lehmann, 1707. Source: Niedersächsische Staats- und Universitätsbibliothek Göttingen (SUB Göttingen, PPN852159730; PURL http://resolver.sub.uni-goettingen.de/purl?PPN852159730). File: DATA/LIBRARY_OF_DANCE/ABBYY TXT/1707-IHP-Maitre_(SUB).txt (700 lines). SECOND EDITION of the LOC-1705-IHP-DKB (Copenhagen, Det Kongelige Bibliotek first edition, 1705 MDCCV), with a substantial Errata section ('biefe von Anno 1707... felbige folgender maßen anbeuten wollen') correcting the 1705 tables page-by-page. SIGNIFICANTLY EXPANDED relative to the 1705 DKB first edition: the 1707 SUB edition includes explicit per-Pas numbered step tables for an expanded set of named dances: (1) Menuet d'Anjou (3-part + continuations, Pas-level tables); (2) die alte Paffe-pied (old Passe-pied, Louis XIV-era, Pas-level tables); (3) die mittelste Paffe-pied (middle Passe-pied, Pas-level tables); (4) die Bourgogne Courante; (5) die Bourgogne Sarabande; (6) die Bourgogne Passe-pied (a three-dance Bourgogne-themed pedagogical suite); (7) Bourée (with Bourée-Pas / Balance / gewoffnet-Pas / Pas-grave / Coupé combinations); (8) Sarabande (standalone Pas-table); (9) Courante (standalone Pas-table). The Q&A preamble covers the same taxonomic material as the 1705 DKB edition (characters and figures for Tours and body-orientation; numbering conventions for left/right feet; Pas-beginning/continuation rules; Bar-length proportions for Menuet d'Anjou (one Takt per Mouvement); old and middle Passepied (two Takts per Mouvement); Bourée Mouvement (alternating both arms then one, four-fold Menuet-Mouvement wechselweis); Courante Menuet-Mouvement with both arms; Sarabande opening Menuet-Mouvement rules; Balancen variations). HISTORIC SIGNIFICANCE: second German-language pedagogical companion to the Beauchamp-Feuillet notation system after the 1705 DKB first edition, and the most complete pedagogical taxonomy of named Baroque-court dance examples published in the German language before Taubert 1717. The 1707 SUB expansion of the Bourgogne suite (Courante + Sarabande + Passe-pied trio) is the earliest extant pedagogical step-table attestation of a named 'Bourgogne' suite in any language — two years before Behr 1709 (LOC-1709-BEHR) and ten years before Taubert 1717 (LOC-1717-TAUBERT). The Bourgogne regional-theming aligns with the parallel Pecour 1700 'La Bourgogne' (H-BAR-VAR-F0131) and Pecour/Feuillet 1707 'La Nouvelle Bourgogne' (H-BAR-VAR-F0149) tradition of Burgundy-themed Court-dance composition. Step_Coverage = None (the IHP tables register Pas-level content — 'Menuet-Pas', 'Balance', 'Contre-tems', 'Pas-grave', 'Coupé', 'gewoffnet-Pas', 'Bourée-Pas' — at a per-Tact granularity, but do not populate the feet-alignment / rise-and-fall / CBM / sway / footwork cells that 05_STEPS registers). (1707). Imported from local collection.