Historical SourcePublic Domain
Onzembrat manuscript dance-collection (1732, French/Lullian airs-and-figures compendium)
Publisher: Paris/manuscript 1732. Onzembrat (attributed) 1732 manuscript dance-music compendium. Includes backdated Lully-era theatrical airs (Chaconne des Arlequins from Lully 1672 Bourgeois Gentilhomme; Gloire d'Amadis from Lully/Colasse 1684) re-arranged as 1732 contredanse / Galliarde / Sarabande figures. Significant for documenting persistence of Lullian theatrical-dance vocabulary 60y after Lully's heyday into the Régence-and-early-Louis-XV social-dance repertoire. Imported via _import_2026-04-25-1230_DESCAN1748_ONZEMBRAT1732.py — syllabus-row reconstructed during 2026-04-25 integrity-repair sweep. Has_Step_Detail = Partial: tunes + light figure-prose, no Beauchamp-Feuillet notation.Year: 1732Family: onzembratCatalog: local
Dance manual/reference by Paris/manuscript 1732. Onzembrat (attributed) 1732 manuscript dance-music compendium. Includes backdated Lully-era theatrical airs (Chaconne des Arlequins from Lully 1672 Bourgeois Gentilhomme; Gloire d'Amadis from Lully/Colasse 1684) re-arranged as 1732 contredanse / Galliarde / Sarabande figures. Significant for documenting persistence of Lullian theatrical-dance vocabulary 60y after Lully's heyday into the Régence-and-early-Louis-XV social-dance repertoire. Imported via _import_2026-04-25-1230_DESCAN1748_ONZEMBRAT1732.py — syllabus-row reconstructed during 2026-04-25 integrity-repair sweep. Has_Step_Detail = Partial: tunes + light figure-prose, no Beauchamp-Feuillet notation. (1732). Imported from local collection.