Historical SourcePublic Domain
The London Magazine and Monthly Chronologer, Vol. XXI, for the Year 1752 (R. Baldwin jun., London)
Publisher: R. Baldwin, jun., at the Rose in Pater-Noster-Row, London 1752 — bound annual volume of the monthly subscription periodical. Source: 1752-London-Magazine_(Goog).txt (2,778,396-byte ABBYY OCR; Google-Books scan of the bound annual volume). DIRECT CONTINUATION of LOC-1750-LONDON-MAGAZINE (Vol. XIX, ingested 0115 run): the country-dance plate series — running monthly from 1731 through 1755+ in the Poetical Essays section — represents one of the longest-running periodical country-dance publication channels of the 18th century, distinct from the Walsh / Bray / Watts / Johnson / Thompson dance-publisher imprint tradition. Vol. XXI cumulative index registers country dances at pages 37, 84, 186, 281, 377, 425, 474, 510; further plates at 570 and 576 bring the year's total to ~10. OCR permits clean recovery of FIVE named country-dance figure bodies (ingested as canonicals H-REG-ECD-F1677..F1681): January 'Every Man in his Humour' (p.37; references Vol. XX. p.568 — the music is re-set from the December 1751 Tar's Triumph plate, which is in Vol. XX = LOC-1751-LONDON-MAGAZINE not yet ingested), February 'The Bedford Lion' (p.84), April [title-OCR-damaged, candidate 'peopkarter'] (p.186), September 'The Bucks of Breadhelmsted' (p.425), December 'It's Three o'Clock, we'll have another Dance' (p.576). DEFERRED FOR MANUAL REVIEW: dance-titles or figure-prose at March/May/June/July/August/October/November country-dance plates — engraved-plate / figure-prose OCR boundary damage prevents clean automated recovery. STYLISTIC CONTINUITY with Vol. XIX (1750): identical compositional vocabulary — 3-couple and 4-couple longways, 'gallop down' (early-attestation continuing Don Jumpedo of March 1750), back-to-back, hands across quite round, R&L, cast off, foot it cornerways. Has_Step_Detail = Partial (figure-prose preserved in Canonical_Description for the 5 named dances; couple-position step-rows not generated since 18c country-dance figure-vocabulary is best represented in the canonical-description text-field, not the ballroom-format 05_STEPS table).Year: 1752Family: london-magazineCatalog: local
Dance manual/reference by R. Baldwin, jun., at the Rose in Pater-Noster-Row, London 1752 — bound annual volume of the monthly subscription periodical. Source: 1752-London-Magazine_(Goog).txt (2,778,396-byte ABBYY OCR; Google-Books scan of the bound annual volume). DIRECT CONTINUATION of LOC-1750-LONDON-MAGAZINE (Vol. XIX, ingested 0115 run): the country-dance plate series — running monthly from 1731 through 1755+ in the Poetical Essays section — represents one of the longest-running periodical country-dance publication channels of the 18th century, distinct from the Walsh / Bray / Watts / Johnson / Thompson dance-publisher imprint tradition. Vol. XXI cumulative index registers country dances at pages 37, 84, 186, 281, 377, 425, 474, 510; further plates at 570 and 576 bring the year's total to ~10. OCR permits clean recovery of FIVE named country-dance figure bodies (ingested as canonicals H-REG-ECD-F1677..F1681): January 'Every Man in his Humour' (p.37; references Vol. XX. p.568 — the music is re-set from the December 1751 Tar's Triumph plate, which is in Vol. XX = LOC-1751-LONDON-MAGAZINE not yet ingested), February 'The Bedford Lion' (p.84), April [title-OCR-damaged, candidate 'peopkarter'] (p.186), September 'The Bucks of Breadhelmsted' (p.425), December 'It's Three o'Clock, we'll have another Dance' (p.576). DEFERRED FOR MANUAL REVIEW: dance-titles or figure-prose at March/May/June/July/August/October/November country-dance plates — engraved-plate / figure-prose OCR boundary damage prevents clean automated recovery. STYLISTIC CONTINUITY with Vol. XIX (1750): identical compositional vocabulary — 3-couple and 4-couple longways, 'gallop down' (early-attestation continuing Don Jumpedo of March 1750), back-to-back, hands across quite round, R&L, cast off, foot it cornerways. Has_Step_Detail = Partial (figure-prose preserved in Canonical_Description for the 5 named dances; couple-position step-rows not generated since 18c country-dance figure-vocabulary is best represented in the canonical-description text-field, not the ballroom-format 05_STEPS table). (1752). Imported from local collection.