American Waltz
Also known as: Closed Waltz, American Standard Waltz
History & Cultural Context
American Waltz emerged in the United States as dancers adapted International Standard Waltz to American social and competitive preferences. While maintaining the basic waltz rhythm and turning action, American Waltz allows for more separation between partners, less frame rigidity, and greater freedom of styling. The dance developed in the 1920s-1960s as American ballroom diverged from English standardization. American Waltz remains more flexible and accessible than International Standard, making it popular in American social ballrooms and competitions. The rise of American Smooth as a formal category in the 1960s gave American Waltz an official competitive home.
Cultural Significance
American Waltz represents American preferences for flexibility and individual expression contrasted with British standardization. Arthur Murray's dance studios and Fred Astaire's films popularized American Smooth waltz variants in the United States. The formalization of American Smooth competition in the 1960s provided a venue for these looser, more theatrical interpretations.
Characteristic Movement & Technique
American Waltz shares Slow Waltz's fundamental rise and fall and sway actions but permits open positions and greater separation that International Standard forbids. The characteristic movement involves the same rise and fall action—extending upward through the feet and lowering in corresponding measures—and the same sway quality. However, American Waltz permits the couple to separate from closed position, dance in open position, or employ variations where partners move semi-independently. The dance maintains waltz's flowing, continuous action but may feature promenade position, inside/outside position, and other open framings. The footwork and traveling action remain similar to Slow Waltz, maintaining smooth, continuous progress around the floor. The rise and fall action may be slightly less pronounced in American Waltz than in International, creating a smoother, less elastic quality. The frame is more flexible—partners may maintain connection through hand or arm contact rather than upper body contact. The characteristic American aesthetic emphasizes smooth, continuous movement with less rigid frame structure than International Standard. The overall impression remains elegant and graceful, though with greater freedom and variation than the standardized International version.
Partnering Dynamics
American Waltz partnerships emphasize connection and communication through frame while allowing greater separation and independence than International Standard. Partners maintain frame connection through arms rather than upper body contact, allowing open positions and separation. The leader maintains clear directional intent communicated through frame and hand position, which the follower interprets. The frame may be fully extended (arms straight) or more compact, depending on the specific figure or choreography. The follower responds to the leader's direction while potentially dancing semi-independently in open positions. Unlike International Standard's constant upper body contact, American Waltz permits momentary release of frame while maintaining visual and hand connection. The partnership creates an impression of fluidity and grace with freedom of movement. The connection is maintained through awareness and agreement rather than constant physical contact. The best American Waltz partnerships display smooth transitions between closed and open positions, with seamless frame connections and responsive partnering.
Competitive Context
American Waltz is competed at all amateur levels in American Smooth competitions, organized by major organizations like the NDCA and DVIDA. Competitions feature categories from bronze through gold proficiency levels and from beginners through advanced amateurs. Professional American Smooth championships feature prestigious competitions including the U.S. Open DanceSport Championship. Judges evaluate American Waltz on technical execution within the American Smooth rule framework, floor craft, choreography, and partnership presentation. Unlike International Standard's strictly prescribed figures, American Smooth permits creative choreography and open positions, giving judges broader criteria for evaluation. Competition tempos for American Waltz typically range from 84-90 BPM, similar to International Slow Waltz. The American Smooth framework emphasizes choreographic creativity alongside technical precision. Successful competitive American Waltz requires both strong fundamental technique and creative choreographic ability.
Regional Variations
American Waltz developed distinctly from International Standard Waltz, reflecting American dance traditions and aesthetic preferences. American coaching schools emphasize smooth, continuous movement and creative choreography. The open position variations and promenade action in American Waltz reflect American ballroom traditions. Some American coaches emphasize greater fluidity and less rigid frame structure than their International counterparts. European American Smooth competitors sometimes blend International sensibilities with American frame flexibility. The American Smooth framework permits regional variation in choreographic choices and stylistic interpretation. In social dance contexts, American Waltz often reflects the regional ballroom traditions of various U.S. communities. The distinction between International and American Waltz has created two parallel, respected traditions with different aesthetic emphases.
Common Misconceptions
Beginners sometimes confuse American Waltz with International Slow Waltz, assuming they are the same dance with minor variations; in reality, the open positions and frame flexibility fundamentally change the partnering and choreographic possibilities. Another common error is assuming American Waltz is 'easier' than International because it permits open positions; in reality, managing frame connection while separated requires sophisticated leading and following skills. Some dancers produce jerky transitions between closed and open positions rather than smooth, flowing connections. The frame flexibility of American Waltz is sometimes misunderstood as permitting loose connection; in reality, the frame must remain alert and responsive. Many dancers underestimate the importance of rise and fall in American Waltz, producing movement that appears flat compared to the elastic quality of properly executed rise and fall. Some view American Waltz as simply 'International Waltz in open position,' missing the distinct choreographic and stylistic possibilities American Waltz permits.
Peak Popularity
Signature Figures
- Natural Turn
- Reverse Turn
- Whisk
- Telemark
- Hover
Notable Codifiers
- American ballroom teachers
- Arthur Murray
- Fred Astaire
- DVIDA (Dance Vision International Dance Association)
- NDCA (National Dance Council of America)
- Arthur Murray International
- Fred Astaire Dance Studios
Dance Lineage
Track Your American Waltz Progress
Practice American Waltz figures between lessons with Figure Focus — step-by-step breakdowns, floor diagrams, and progress tracking. Free to use.
Watch American Waltz
2015 US National Amateur Dancesport Championships Championship Smooth Final — USDC
What to Wear
Attire guidance for American Waltz and other American Smooth dances. Each card below is sized to the moment — class, practice, social, or competition — because the wardrobe shifts as the stakes do.
Reading the cards
In Class
Comfortable, unrestricted clothing. Women: practice skirts or stretchy pants with a fitted top. Men: trousers and a tucked shirt or fitted T-shirt.
Social Dancing
Semi-formal to formal. Women: flowing dresses or gowns that allow open movement and turns. Men: dress shirt and slacks, or a stretch sport coat. Avoid stiff off-the-rack suit jackets — they restrict shoulder movement and spoil your frame.
Competition
Women: elegant ballgowns with float — the skirt must move beautifully during open work, spins, and shadow positions. Unlike International Standard gowns, Smooth dresses never have wings (fabric panels attached at the wrists/arms), because wings interfere with tandem work, side-by-side choreography, and turns. Men: custom "smooth suits" — suit jackets with stretch fabric, specifically tailored for dance movement. Do not wear a normal suit or tuxedo: off-the-rack formalwear is cut for standing, not dancing, and will bunch at the shoulders and restrict your frame. A proper smooth suit jacket moves with you.
Shoes
Women: closed-toe or open-toe court shoes with 2–2.5" heels, suede soles. Men: Standard ballroom shoes with a low (1") heel. Smooth sole for gliding.
In Practice
Practice skirt that mimics gown weight (so followers learn to manage float during open work), fitted top, low court heel for women. Leaders in stretch trousers and a tucked shirt — Smooth practice should rehearse in something close to the line a smooth-suit jacket creates.
By Role
Leaders
Class: Fitted shirt tucked into stretch trousers. A practice vest can stand in for the smooth suit jacket when working on frame.
Competition: Custom smooth suit — a dance jacket cut from stretch fabric, more contemporary than a tailsuit, often without tails. Some smooth suits are short and trim like a modern dinner jacket; others use longer skirting closer to a frock coat. Stretch panels under the arms and across the back let the jacket open with the body during shadow walks and tandem turns. Off-the-rack tuxedos collapse the line and trap the shoulders — a smooth suit is a different garment.
Followers
Class: Fitted top with a practice gown skirt that has real weight to it — Smooth choreography sweeps the skirt through bigger arcs than Standard, and the body learns that with fabric to manage.
Competition: Wingless ballgown with heavy float in the skirt and a clean upper body. Sleeves are cap-length, three-quarter, sleeveless, or sheer mesh — never wings. Wings would catch the leader's hand during a hand change, drag across the face during a spin, and restrict open arm extensions. Color and styling skew warmer and more individual than Standard.
Tailsuit vs Smooth Suit · Wings vs No Wings
International Standard vs American Smooth
International Standard
- ◆Leader: Tailsuit (white tie). Tailcoat with stretch panels — not a tuxedo.
- ◆Follower: Ballgown with wings — fabric panels at wrist or upper arm.
- ◆Frame: Permanent closed hold — wings work because frame never breaks.
American Smooth
- ◆Leader: Smooth suit — stretch dance jacket, often without tails.
- ◆Follower: Ballgown without wings — arms must be free to leave the frame.
- ◆Frame: Opens for tandem walks, shadow positions, and free turns.
American Smooth and International Standard share four dances (Waltz, Tango, Foxtrot, Viennese Waltz) and almost nothing else. Standard's wardrobe (tailsuit, winged gown) supports a permanent closed hold. Smooth's wardrobe (smooth suit, wingless gown) supports choreography that breaks the frame on purpose — open work, tandem walks, shadow positions, and free turns. Wearing a Standard tailsuit or a winged gown to a Smooth event will look out of place at best, and will tangle your own choreography at worst.
Common Pitfalls
- ✗Wearing an off-the-rack tuxedo: shoulders bunch, chest pulls tight, frame collapses on raised arms.
- ✗Wearing a winged Standard gown to a Smooth event — wings will catch on the leader's hand during hand changes and drag during free turns.
- ✗Borrowing a Standard tailsuit; Smooth suits are cut differently for the open phases of the dance.
- ✗Wearing a belt with the trousers — creates a horizontal break in the line; use suspenders instead.
Price Range
- Budget: Practice gown skirt $80–150; entry men's stretch trousers and tucked shirt $100–200; entry court shoes $90–140.
- Mid: Off-the-rack smooth suits and gowns $800–2,500; mid-tier shoes $150–250.
- Premium: Bespoke smooth suit $1,500–3,500; custom Smooth gown $3,000–8,000+; premium ballroom shoes $250–400.
Key Terms
- Smooth suit
- Custom dance jacket in stretch fabric — more contemporary than a tailsuit, often without tails. The men's competition garment for American Smooth.
- Wings (and why Smooth has none)
- Fabric panels attached at wrist or upper arm. Standard gowns use them; Smooth gowns never do because Smooth choreography breaks frame and wings would tangle.
- Float
- Layered soft fabric in the gown's skirt that creates a controlled wake during travel — Smooth often uses heavier float than Standard because the choreography sweeps the skirt through bigger arcs.
Quick Tips
- •Suede-soled shoes allow controlled sliding and pivoting — essential for most partner dances.
- •Avoid rubber soles on dance floors; they grip too much and can cause knee injuries.
- •Bring a separate pair of clean shoes for the dance floor to keep it in good condition.
Recommended Gear for American Waltz
Essential equipment and apparel selected for dancers learning American Waltz.
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Sources & Further Reading
Official References & Syllabi
For competitive dances, official technique and choreographic standards are maintained by:
- • ISTD (Imperial Society of Teachers of Dancing) and WDSF (World DanceSport Federation) official syllabi and technique manuals
- • DVIDA (Dance Vision International Dance Association) materials for American dance variants
- • USA Dance and other national governing body resources
- • WDC (World Dance Council) competition rules and adjudication standards
Cultural & Historical Context
American Waltz emerged from United States during the 1920s—1960s. Understanding the cultural roots, musical traditions, and social circumstances of this era enriches appreciation for the dance's characteristics and significance.
Formative Influences
Codifiers & Standardizers:
American ballroom teachers, Arthur Murray, Fred Astaire, DVIDA (Dance Vision International Dance Association), NDCA (National Dance Council of America), Arthur Murray International, Fred Astaire Dance Studios
Signature Movement Vocabulary:
Natural Turn, Reverse Turn, Whisk, Telemark, Hover
Primary Source Documents
The LODance Library contains original syllabi, instructional materials, and published references for dance technique and history. Search by dance name or codifier to discover primary source documents.
Last reviewed: May 2026 — This dance profile synthesizes historical research, cultural documentation, and contemporary practice knowledge to provide authoritative context.
More in American Smooth
American Tango
American Tango adapted Argentine and International Standard tango for American ballroom contexts, allowing for smooth traveling action and partnership variations while maintaining dramatic character.
American Foxtrot
American Foxtrot emphasizes smooth, flowing traveling action with greater partner separation than International Standard, allowing dancers to showcase theatrical styling and individual expression.
American Viennese Waltz
American Viennese Waltz adapted the fast rotational Viennese Waltz for American ballroom, allowing for greater variation while maintaining the characteristic continuous turning action.
American Peabody
Peabody is one of the fastest ballroom dances — a rapid American Smooth dance in 4/4 time danced to fast-paced ragtime music at 240-248 BPM. Dancers frequently pass their feet rather than closing them, allowing for a fast, gliding motion at speeds often exceeding International Quickstep.
What did dancers wear?
American Waltz belongs to the Modern Competition (1950s–present) era. See how attire shaped the choreography — and the other way around.
Explore Modern Competition attire →