Gavotte

Also known as: Gavot

OriginFrance
Era16501750
Rhythm2/4 time
Tempo120-140 BPM
CharacterElegant, moderate, lively, refined

History & Cultural Context

The Gavotte emerged in France during the mid-17th century and became one of the most popular Baroque court dances. The dance featured a distinctive rhythmic characteristic—beginning on the third beat of a duple-metered measure—that created a unique musical feel. The gavotte included hopping steps (caper) and turning figures performed with refined posture. It was slightly faster and more energetic than the minuet while maintaining Baroque elegance. Famous composers including Bach and Handel wrote gavottes, and the dance became central to Baroque instrumental suites.

Cultural Significance

The Gavotte represented Baroque elegance while allowing more movement than the formal minuet. Its popularity in instrumental suites elevated it to high artistic status. The dance's eventual decline reflected changing musical and social tastes in the Classical period.

Peak Popularity

1700s
95% estimated global awareness

Signature Figures

  • Double
  • Hop
  • Turn

Notable Codifiers

  • Pierre Beauchamp
  • Pierre Rameau

Dance Lineage

Evolved from:Branle

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What to Wear

Attire guidance for Gavotte and other Historic Baroque Court dances. Each card below is sized to the moment — class, practice, social, or competition — because the wardrobe shifts as the stakes do.

Reading the cards

Class — group instruction; comfort first.
Practice — rehearsal; dress like the dance.
Social — public dance floor; smart casual to formal.
Competition — judged events; rule-bound costume.

In Class

Comfortable clothing with period-appropriate character shoes if available. Many historical dance classes welcome modern practice wear.

Social Dancing

Period recreation events call for Baroque-era costumes: women in corsets and full skirts, men in breeches and frock coats. Social historical dance events range from costumed to smart casual.

Competition

Rarely competed; performance events typically expect full period costume authentic to the 17th–18th century.

Shoes

Character shoes with a low (1–1.5") shaped heel. Historically accurate shoes have buckles and a Louis heel. For class: any low-heeled shoe with a smooth sole.

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In Practice

Modern practice wear is welcome in most academic Baroque classes; serious reconstruction groups practice in period-appropriate footwear so the body learns the geometry the dances were designed for.

Price Range

  • Budget: Modern character shoes $40–80; loose historically-styled clothing from costume retailers.
  • Mid: Replica Louis-heel shoes $150–300; commissioned period-styled garments $200–800.
  • Premium: Hand-stitched 18th-century reproduction costume $1,500–5,000+; bespoke buckle shoes $400–900.

Quick Tips

  • Suede-soled shoes allow controlled sliding and pivoting — essential for most partner dances.
  • Avoid rubber soles on dance floors; they grip too much and can cause knee injuries.
  • Bring a separate pair of clean shoes for the dance floor to keep it in good condition.

Sources & Further Reading

Official References & Syllabi

For competitive dances, official technique and choreographic standards are maintained by:

  • • ISTD (Imperial Society of Teachers of Dancing) and WDSF (World DanceSport Federation) official syllabi and technique manuals
  • • DVIDA (Dance Vision International Dance Association) materials for American dance variants
  • • USA Dance and other national governing body resources
  • • WDC (World Dance Council) competition rules and adjudication standards

Cultural & Historical Context

Gavotte emerged from France during the 1650s—1750s. Understanding the cultural roots, musical traditions, and social circumstances of this era enriches appreciation for the dance's characteristics and significance.

Formative Influences

Codifiers & Standardizers:

Pierre Beauchamp, Pierre Rameau

Signature Movement Vocabulary:

Double, Hop, Turn

Primary Source Documents

The LODance Library contains original syllabi, instructional materials, and published references for dance technique and history. Search by dance name or codifier to discover primary source documents.

Last reviewed: May 2026 — This dance profile synthesizes historical research, cultural documentation, and contemporary practice knowledge to provide authoritative context.

What did dancers wear?

Gavotte belongs to the Baroque Era (1600s–1700s) era. See how attire shaped the choreography — and the other way around.

Explore Baroque Era attire →